Product / Modern Indigenous Goods — 2021 · Accra, Ghana

MIG

MIG logotype: four solid black shapes in a row on white, a quarter-circle with a curved upper edge, a narrow wedge, a tall rectangle and a half-circle with its flat side to the left, reading as an abstract monogram.

Modern Indigenous Goods studio identity and spatial concept honoring authentic African material heritage.

MIG (Modern Indigenous Goods) represents a curated design narrative synthesizing indigenous West African fabrication methods with sharp contemporary aesthetics.

Digital direction and visualization by RDVS Studios, exploring object taxonomy, earth pigments, and minimal spatial displays.

MIG logotype again as the opening plate: the same four black marks on white with no text or watermark, the curved quarter-circle at left and the half-circle closing the row at right.

MIG 1H wall unit in front elevation on black: dark wood modular fronts with a curved flat screen in the central niche, square cubes of vases and book rows, olive-green carcass edges.

MIG 1H shelving in a tight crop with black at the left third: a light-grey bay holding a curved monitor and bottle vases, book spines legible as FERRARI and MUSEUMS along the shelf below.

MIG 1H wall unit reconfigured in front elevation: the same olive-edged grid on black with a smaller screen, a row of disc cases, tan leather books and a white vase.

MIG 1H upper-right detail in soft focus: a pink orchid in a glass bubble vase, grey vases with white line inlay, wood door fronts and brightly coloured book spines.

MIG 1H at the same corner from a tilted angle: the orchid in its glass vase, the pair of grey line-inlay vases and a spine reading ALEXEY BRODOVITCH among the colour-blocked books.

MIG 1H cropped on the dark unit: a white bottle vase of orange berries beside a curved screen on a silver wave base, black-spined art books lined up below.

MIG HG-DESK macro at the tip of a rail: a navy-black stained wood edge with fine open grain and a rounded vertical corner held in sharp focus against pale bokeh discs.

MIG Line E Float I straight onto the wall: a white floating media unit with a recessed upper shelf of cases and discs, a Samsung flat screen standing on the lower cabinet, a brown sofa back and blurred plant in the foreground.

MIG Line E Float I close on the recessed upper shelf against a grey wall: dark books laid flat at left, a white folded object in the centre, upright black case spines at right and the corner of the screen below.

MIG Line E Float I at low detail: a pale rose floating sideboard with an open cubby and a sliding door cut with a recessed vertical slot, a textured amber vase of dried grasses on top and a Samsung screen edge above.

MIG Line E Float I from the rounded right end in pale rose: two smoked-amber glass bottles of wheat and dried stems on the top, their shadows and palm fronds falling hard across the white wall.

MIG Line E Float I from a high three-quarter angle down the rose unit: rounded left end, open cubby, sliding door with its vertical slot, glossy top carrying a black screen foot bar and the amber vase on grey plank flooring.

MIG Line E Float I inside an open shelf with a rust terracotta wood-grain lining: two off-white cubes and a cylinder each topped with splayed white wire strands, a chrome screen leg on the pale pink surface above.

MIG Line E Float I in full from a high angle: the rose floating unit with a large black screen on a chrome Y-base, amber bottles of dried grasses at both ends and white sculptures in the niche over grey planks and a white shag rug.

MIG Line E Float I seen wide past the dark edge of a doorway: the rose floating sideboard with its Samsung screen, amber bottles and a pink table beyond.

MIG Line E Float I in square crop at a white open cubby: game cases stacked in the bay, a black wire sphere on the top, the brown sofa behind and a purple-flowered plant at the edge.

MIG Line E Float I in square crop at the white unit end: a black faceted vase and a grey bust on the shelf, the corner of the screen at one side and a green plant beyond.

MIG MLKY lighting on pure black: a tall fluted translucent glass column turned corner-on to the camera, glowing warm white from within with a darker gradient at the base, a dark square cap on top and fine vertical ribs.

MIG MLKY forms in a wide landscape frame on near-black: a cluster of three or four smooth matte cream pillow-rounded shapes shaded in soft gradients, with no ribs, legs or base showing.

MIG MLKY coil seen in side elevation on black: a single ribbed translucent tube bent into an S like a spring, lit warm inside, tapering to a thin end at left and opening wide at right.

MIG MOUND tray photographed from high overhead on light grey: an organic-edged steel tray in grey holding four yellow-green apples, two pale green layered flower forms and a strap watch with a dark face, lettered MOUND and FP / Accessories fruits platter.

MIG MOUND in a bedroom at floor level: the same grey tray of yellow fruit and green flowers set on a dark wood bench with a perforated top at the foot of a made bed, grey loop-pile rug and sheer curtains at right.

MIG S-AGE reception desk from a high three-quarter angle: a curved white counter with two mesh task chairs, a monitor and a vase of green sprigs, lettered S-AGE and Evolve reception desks.

MIG S-AGE desk at eye level from the front: a two-tier white curved counter on a grey seamless backdrop, flower vase at left, an Information desk pictogram panel at right and the S-AGE title above.

MIG S-AGE desk corner in portrait: the white counter carrying an Information desk icon, blurred plant leaves in the foreground, wood wall panelling and a door with toilet pictograms beyond on tile flooring.

MIG S-AGE signage in square close-up: the corner of a pale grey curved panel with a teal Information desk pictogram and label, soft studio sheen against a plain light ground.

MIG S-AGE detail on the counter edge: a clear glass vase of pale green flower sprigs standing on the white top against a plain grey background, no text in frame.

MIG SP001 pod from a high diagonal on black: a dark wood sleeping capsule with a white pillow and navy duvet, spotlit so the grain glows, titled SP001 in large letters.

MIG SP001 pod interior in low close-up: a green-lit back panel behind a dark pillow and the edge of a white mattress, the surround falling to black, titled SP001.

MIG SP001 exploded on grey: the white pod shell with its wood slats separated from a floating tan mattress, orange duvet and pillow, a 1.9 x 0.8 x 0.9 dimension note and four line diagrams.

Film

The four-and-a-half-second flip: the four marks of the MIG monogram start edge-on as one flat band, then rotate up into the picture plane one after another from the left, their extruded sides catching grey light as they turn, and resolve into the flat black logotype on white the page opens with, which holds to the end