The thirty-second film is the collection as a piece of brand material. It opens on the slatted armchair against a grey ground beside the Furnart mark and its line FINE FURNITURE AND JOINERY, then moves through the pieces installed: the bed with its carved geometric footboard and the dark wall shelf above it, the same room from above, a side table and a grey sofa against a board-marked timber wall, the perforated low table, a patterned armchair under a tripod lamp by the stair, the full-height shelving unit with the screen in its recess, and the three-seat sofa on white. Every frame carries the Furnart corner stamp, and the closing card gives the client’s own contact block.
The set alternates between the two registers. On a plain pale ground each piece is shown on its own: a walnut armchair with a broad flat arm, a three-seat sofa in grey upholstery carried on a walnut plinth, a low walnut bench whose middle band is pierced metal, and a bed whose walnut headboard opens into a shelf niche while its base is wrapped in the same pierced geometric pattern.
The same pieces are then placed in the house. The living room rises through two storeys beneath a mezzanine with a glass balustrade, furnished with the grey sofas, the diamond-weave armchair under a tripod floor lamp, and a glass-topped coffee table on a perforated metal base set on a striped multicolour rug. A chevron-boarded timber wall carries a slim console behind one sofa, and a timber shelving unit with a pegboard back holds the television and books.
The kitchen runs a white island under a grey overhead cabinet band, lined with a row of timber stools on a dark wood floor, and opens to a glass dining table with matching chairs. Close-ups pick out the details: a splayed-leg side table carrying a tray of candles, the pierced coffee table seen from above with books laid on it, and the patterned armchair on a timber deck beside a planted bed.
The bedroom closes the set, the headboard-shelf bed dressed in white against a walnut wall with paired side tables and lamps, a desk at the window and a dark rug underfoot. Walnut and pale timber, grey upholstery and the recurring pierced metal motif tie the collection together across every scene.
The gallery was published to Behance in April 2016 as DRW FURNART — FURNITURE VISUALIZATION, credited there to DRW / Furnart as client, DRW for furniture design and RDVS for the 3D visualization; the full set is on Behance.
