Details was modelled, lit and rendered in-house as a photoreal interior, then cut as a sequence of macro shots rather than a spatial tour. Each frame holds one material junction at shallow depth of field, with the project's own wordmark dropped into the composition as a title.
The film above is the piece itself: forty seconds at 1280×720, encoded in August 2018, which is the earliest date the work can be placed. The three plates below are stills from the same render set rather than grabs off that encode, so they out-resolve it — two of the three run to 1920×1080 against the film's 1280×720.
